Sound Remembrance: Dickey Betts: An Allman by Another Name
When the Allman Brothers Band released the Dreams boxset and headed back out on the forever road in 1989, two things happened.
First, their music was suddenly everywhere, sounding fresh and new even though it’d still be awhile before ABB released actual new music.
The second - more-important - thing was that young-at-the-time, nascent blogs like Sound Bites finally got to experience the glory of the Allman Brothers Band on stage.
That mostly meant Gregg Allman and Dickey Betts, who along with Butch Trucks were the only members of the band to appear in every iteration of the ABB up to that point. And Betts, with a new foil in some dude called Warren Haynes, tore that shit up, playin’ his parts, occasionally playin’ Duane Allman’s parts and reactin’ like a guy made hungry again by the still-hungry Haynes.
ABB were playing theaters at this point and seeing the group in these intimate settings was even more of a treat than we realized at the time. As the years went by, the venues got bigger and soon the group’s annual Beacon run was the only opportunity to see the Allmans in such a cozy state. Of the many shows S.B. saw during this period, the most outrageous must’ve been a double bill with the Craig Fuller-fronted edition of Little Feat in Ohio; as soon as this concert let out, he was was on the road to see a couple of Jerry Garcia Band shows in Illinois and Wisconsin in what turned out to be an incredible week of live music.
Ah, to be young.
And alive.
With Betts’ April 18 death at age 80, only Jaimoe survives from the original Allman Brothers Band. But the music - and Betts’ outsized role in it - survives.
Obituaries unfailingly eulogized Betts as a foundational figure in Southern rock. And while he was that, Betts was also a sanctified country singer (“Ramblin’ Man”), a jazz composer extraordinaire capable of drawing inspiration from something as mundane as a tombstone (“In Memory of Elizabeth Reed”) and a top-shelf bluegrass and Americana (which didn’t even exist in ’74) picker as demonstrated by Richard Betts’ stellar solo debut, Highway Call.
And yet, “Blue Sky,” and its latter-day rewrite, “Back Where it All Begins,” are stone Southern-rock classics.
Betts parted ways with his band in 2000 - whether he quit or was fired depends on whom you ask - and my interest waned. When I finally saw the band again at the 2008 Penn State event for then-candidate Barack Obama, I learned why; the group just wasn’t the same.
Even Haynes, the prodigal Brother who returned to the band after Betts’ inglorious departure, knew it.
“As I’ve also said many times, when I think of the Allman Brothers Band, I automatically think of the original band with Duane Allman and Berry Oakley, who unfortunately passed way too soon, and although I’m extremely proud of my work with the band, that will always be the case,” Haynes said in eulogizing Betts.
4/25/24